On the Matter of Crayons and Carp
Sometimes the safest place in the world is the one that should kill you. In the fishtank, where the rules say you aren’t supposed to breathe, she finds the only kind of silence that doesn’t eat her alive. There’s a dead goldfish to carry, tunnels that only run one way, and walls begging to be colored in before the filters scrub everything clean again. The farther she swims from the surface, the clearer it gets: somebody has to decide which deaths are accidents and which ones are crimes, and the water is not nearly as confused about it as the people on land.
